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Friday, May 31, 2024

Australian Screen Sound Guild Award Winners Announced

The Australian Screen Sound Guild (ASSG) has announced the winners of its 2020 ASSG Awards. The categories include:

Best Sound for a Commercial or Promo: Australian Museum – Frog ID Can you solve the mystery?

  • Timothy Bridge – Sound Designer & Mixer
  • Josh Pearson – Sound Designer
  • Nat Joyce – Sound Designer

Best Sound for a Live-Action Short Film: Deafinition

  • Carlos Manrique Clavijo – Sound Designer & Mixer
  • Victor Ivchenko – Location Sound Recordist

Best Sound for Interactive Media: Scavenger Squad

  • Paul Kopetko – Sound Designer

Best Sound for Lifestyle, Reality or Factual Entertainment: 

Waltzing the Dragon with Benjamin Law Ep02

  • Myles Wrigley – Sound Editor & Mixer
  • Dan Miau -Location Sound Recordist
  • Best Sound for a Children’s Programme

The Unlisted Ep09

  • Paul Finlay – Location Sound Recordist
  • Diego Ruiz – Dialogue Editor & Re-recording Mixer
  • Andy Wright – Supervising Sound Editor
  • Stuart Morton – ADR Editor
  • Will Carroll – ADR Recordist
  • Mario Vacarro – Foley Artist
  • Megan Howieson – Foley Editor
  • Alex Francis – Foley Recordist
  • Shanti Burn – Boom Operator
  • Ben Yeadon – Location Sound Assistant

Best Sound for a Drama or Comedy (Under 30 minutes): Upright-Day 5 Ep05

  • Stephen R Smith – Sound Supervisor, Sound Mixer & Foley Effects
  • Paul Devescovi – Sound Effects Editor
  • Alex Birch – Dialogue Editor
  • Ben Anderson – ADR Editor
  • Helen Brown – Foley Artist
  • Paul Huntingford – Foley Recordist
  • James Currie ASSG – Location Sound Recordist
  • Josh Williams – Boom Operator
  • Travis Williamson – Boom Operator & Atmos Recordist

Best Sound for a Drama or Comedy (Over 30 minutes): Total Control Ep01

  • Luke Mynott – Sound Designer & Re-recording Mixer
  • Wes Chew – Supervising Sound Editor
  • Cihan Saral – Dialogue Editor
  • Tania Vlassova – Assistant Sound Supervisor
  • Julian Wessels – Sound Effects Editor
  • Nick Emond ASSG – Location Sound Recordist
  • Dane Cody – Location Sound Recordist
  • Emma Barham – Boom Operator
  • Gunay Demirci – Boom Operator
  • Sue Kerr – Boom Operator
  • Gerry Nucifora – Boom Operator
  • Jeremy Ireland – Location Sound Recordist, Second Unit
  • Victor Emond – Location Sound Recordist, Second Unit
  • Tristan Atkins – Location Sound, Second Unit
  • Andrew Simmons – Foley Artist
  • Adam Connelly – Foley Artist

Best Sound for a Documentary: Suzi Q

  • Paul Shanahan – Dialogue Editor & Sound Supervisor
  • Emma Bortignon ASSG – Sound Designer
  • David Williams – Re-recording Mixer
  • Gemma Stack – Sound Editor
  • Vanessa Carr – Foley Recordist
  • Adrian Medhurst – Foley Artist

Andrew Plain Award for Best Film Sound Editing: The King

  • Robert Mackenzie – Supervising Sound Editor
  • Sam Petty – Sound Designer
  • Leah Katz – Dialogue & ADR Supervisor
  • Tara Webb – Sound Effects Editor
  • Mick Boraso – Sound Effects Editor
  • Mario Vaccaro – Foley Artist
  • Stuart Morton – Sound Effects Editor

Best Film Sound Recording: The King

  • Gareth John – Production Sound Mixer
  • Lee Grainge – Boom Operator
  • Alex Francis – Foley Recordist
  • Tim Ryan – ADR Recordist

Best Film Sound Mixing: The King

  • Robert Mackenzie – Re-Recording Mixer
  • Sam Petty – Re-Recording Mixer
  • Alex Birch – Re-Recording Engineer
  • Sam Hayward – Re-Recording Engineer

Soundtrack of the Year: The King

  • Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
  • Sam Petty – Sound Designer & Re-Recording Mixer
  • Alex Birch – Re-Recording Engineer
  • Sam Hayward – Re-Recording Engineer
  • Leah Katz – Dialogue & ADR Supervisor
  • Tara Webb – Sound Effects Editor
  • Mick Boraso – Sound Effects Editor
  • Mario Vaccaro – Foley Artist
  • Stuart Morton – Sound Effects Editor
  • Gareth John – Production Sound Mixer
  • Lee Grainge – Boom Operator
  • Alex Francis – Foley Recordist
  • Tim Ryan – ADR Recordist

Visit http://assg.org.au 

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