The Australian Screen Sound Guild (ASSG) has announced the winners of its 2020 ASSG Awards. The categories include:
Best Sound for a Commercial or Promo: Australian Museum – Frog ID Can you solve the mystery?
- Timothy Bridge – Sound Designer & Mixer
- Josh Pearson – Sound Designer
- Nat Joyce – Sound Designer
Best Sound for a Live-Action Short Film: Deafinition
- Carlos Manrique Clavijo – Sound Designer & Mixer
- Victor Ivchenko – Location Sound Recordist
Best Sound for Interactive Media: Scavenger Squad
- Paul Kopetko – Sound Designer
Best Sound for Lifestyle, Reality or Factual Entertainment:
Waltzing the Dragon with Benjamin Law Ep02
- Myles Wrigley – Sound Editor & Mixer
- Dan Miau -Location Sound Recordist
- Best Sound for a Children’s Programme
The Unlisted Ep09
- Paul Finlay – Location Sound Recordist
- Diego Ruiz – Dialogue Editor & Re-recording Mixer
- Andy Wright – Supervising Sound Editor
- Stuart Morton – ADR Editor
- Will Carroll – ADR Recordist
- Mario Vacarro – Foley Artist
- Megan Howieson – Foley Editor
- Alex Francis – Foley Recordist
- Shanti Burn – Boom Operator
- Ben Yeadon – Location Sound Assistant
Best Sound for a Drama or Comedy (Under 30 minutes): Upright-Day 5 Ep05
- Stephen R Smith – Sound Supervisor, Sound Mixer & Foley Effects
- Paul Devescovi – Sound Effects Editor
- Alex Birch – Dialogue Editor
- Ben Anderson – ADR Editor
- Helen Brown – Foley Artist
- Paul Huntingford – Foley Recordist
- James Currie ASSG – Location Sound Recordist
- Josh Williams – Boom Operator
- Travis Williamson – Boom Operator & Atmos Recordist
Best Sound for a Drama or Comedy (Over 30 minutes): Total Control Ep01
- Luke Mynott – Sound Designer & Re-recording Mixer
- Wes Chew – Supervising Sound Editor
- Cihan Saral – Dialogue Editor
- Tania Vlassova – Assistant Sound Supervisor
- Julian Wessels – Sound Effects Editor
- Nick Emond ASSG – Location Sound Recordist
- Dane Cody – Location Sound Recordist
- Emma Barham – Boom Operator
- Gunay Demirci – Boom Operator
- Sue Kerr – Boom Operator
- Gerry Nucifora – Boom Operator
- Jeremy Ireland – Location Sound Recordist, Second Unit
- Victor Emond – Location Sound Recordist, Second Unit
- Tristan Atkins – Location Sound, Second Unit
- Andrew Simmons – Foley Artist
- Adam Connelly – Foley Artist
Best Sound for a Documentary: Suzi Q
- Paul Shanahan – Dialogue Editor & Sound Supervisor
- Emma Bortignon ASSG – Sound Designer
- David Williams – Re-recording Mixer
- Gemma Stack – Sound Editor
- Vanessa Carr – Foley Recordist
- Adrian Medhurst – Foley Artist
Andrew Plain Award for Best Film Sound Editing: The King
- Robert Mackenzie – Supervising Sound Editor
- Sam Petty – Sound Designer
- Leah Katz – Dialogue & ADR Supervisor
- Tara Webb – Sound Effects Editor
- Mick Boraso – Sound Effects Editor
- Mario Vaccaro – Foley Artist
- Stuart Morton – Sound Effects Editor
Best Film Sound Recording: The King
- Gareth John – Production Sound Mixer
- Lee Grainge – Boom Operator
- Alex Francis – Foley Recordist
- Tim Ryan – ADR Recordist
Best Film Sound Mixing: The King
- Robert Mackenzie – Re-Recording Mixer
- Sam Petty – Re-Recording Mixer
- Alex Birch – Re-Recording Engineer
- Sam Hayward – Re-Recording Engineer
Soundtrack of the Year: The King
- Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
- Sam Petty – Sound Designer & Re-Recording Mixer
- Alex Birch – Re-Recording Engineer
- Sam Hayward – Re-Recording Engineer
- Leah Katz – Dialogue & ADR Supervisor
- Tara Webb – Sound Effects Editor
- Mick Boraso – Sound Effects Editor
- Mario Vaccaro – Foley Artist
- Stuart Morton – Sound Effects Editor
- Gareth John – Production Sound Mixer
- Lee Grainge – Boom Operator
- Alex Francis – Foley Recordist
- Tim Ryan – ADR Recordist
Visit http://assg.org.au